It's recommended to look Husband Hunters movie (Love Affairs of the Chorus Girls).
Movie Issued - in 1927.
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Color Info: Black and White
Countries: USA
Genres: Comedy, Drama
Languages: English
Sound Mix: Silent
Tech Info: MET:1707 m, OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.33 : 1
Release Dates: USA:15 January 1927
In movie played:
Marcin Asher (actor)
Nigel Barrie (actor)
Death Notes: England, UK
Birth Notes: Calcutta, West Bengal, India
Birth Name: Nigel-Jones, Roynon Cholmondeley
Spouse: 'Gertrude Poklington' (1925 - ?), 'Helen Lee' (1919 - 1925)
Death Date: 8 October 1971
Birth Date: 5 February 1889
Robert Cain (actor)
Death Notes: New York City, New York, USA
Birth Notes: Chicago, Illinois, USA
Death Date: 27 April 1954
Other Works: Stage, television, and radio actor.
Birth Date: 4 June 1886
Charles Delaney (actor)
Stage, vaudeville, and television actor.
Death Notes: Hollywood, California, USA
Height: 5' 10 1/2"
Birth Notes: New York City, New York, USA
Spouse: 'Mary Meek' (? - 31 August 1959) (his death)
Death Date: 31 August 1959
Birth Date: 9 August 1892
Fred Fisher (actor)
James Harrison (actor)
Death Notes: Woodland Hills, Los Angeles, California, USA
Height: 5' 9"
Birth Notes: Milwaukee, Wisconsin, USA
Spouse: 'Juanita Harrison' (actress) (? - ?)
Death Date: 9 November 1977
Birth Date: 26 May 1908
Walter Hiers (actor)
Spouse: 'Gloria Williams' (? - ?), 'Adele' (1923 - ?)
Death Notes: Los Angeles, California, USA (pneumonia)
Birth Notes: Cordele, Georgia, USA
In 1923, he weighed in at 235 lbs., Began his film career with the Biograph Company under the direction of D. W. Griffith.
Death Date: 27 February 1933
Birth Date: 18 July 1893
James T. Mack (actor)
Death Notes: Hollywood, California, USA
Birth Notes: Chicago, Illinois, USA
Birth Name: McElhern, James
Hollywood character actor and veteran musical comedy performer.
Death Date: 12 August 1948
Birth Date: 16 May 1871
Jean Arthur (actress)
Ashes scattered off of Point Lobos, California, USA., Wore her natural brunette hair color throughout the silent film portion of her career, then began bleaching her hair blonde shortly after she started making talkies., Department of Strange Coincidences: 'Jean Arthur (I)' (qv)'s former spouse, producer 'Frank Ross (I)' (qv), next married the actress 'Joan Caulfield' (qv). On the very day following Caulfield's death on 18 June 1991, Arthur died., Marriage to Julian Anker was annulled after 1 day., After retiring from films she taught Drama at Vassar., Was a leading contender for the coveted role of Scarlett O'Hara in _Gone with the Wind (1939)_ (qv)., As her star began to decline, she was replaced by 'Rita Hayworth' (qv) as Columbia Pictures' top female star. Coincidentally, the two stars share the same birthday (October 17)., Turned down the role of the lady missionary in _Lost Horizon (1973)_ (qv), the unsuccessful musical remake of the 1937 classic of the same name., Director 'George Stevens (I)' (qv) famously called her "one of the greatest comediennes the screen has ever seen" while 'Frank Capra' (qv) credited her as "my favorite actress"., On the completion of her Columbia contract in 1944, she reportedly ran through the studio's streets, shouting "I'm free, I'm free!"., As a result of being in the doghouse with studio boss 'Harry Cohn (I)' (qv), her fee for starring in _The Talk of the Town (1942)_ (qv) was only $50,000 while her male co-stars ('Ronald Colman' (qv), 'Cary Grant' (qv)) received upwards of $100,000 each., Biography in: "Who's Who in Comedy" by Ronald L. Smith. pg. 30-31. New York: Facts on File, 1992. ISBN 0816023387, Biography in: "American National Biography". Supplement 1, pp. 15-16. New York: Oxford University Press, 2002., Allegedly took her stage name from two of her greatest heroes: Joan of Arc (Jeanne d'Arc) and King Arthur., Quit movies at the height of her career in 1944, following an Oscar nomination and while still Columbia Pictures' top female box-office attraction. She appeared in only two more films, for Oscar-winning directors 'Billy Wilder' (qv) (_A Foreign Affair (1948)_ (qv)) and 'George Stevens (I)' (qv) (_Shane (1953)_ (qv)). According to John Oller's biography "Jean Arthur: The Actress Nobody Knew" (1997), Arthur was a shy person who came to loathe making movies, having developed a kind of stage fright (something not uncommon in even great and accomplished actors; 'Laurence Olivier' (qv) said he developed stage fright in 1964, while playing in "Othello," after 40 years on stage) that made acting in movies agony for her. After she quit movies, she tried to make a go at a stage career, being part of the original cast of "Born Yesterday," but she dropped out during previews and was replaced by 'Judy Holliday' (qv). She later gave television a crack in the mid-'60s, but the _"The Jean Arthur Show" (1966)_ (qv) was canceled after half a season., At the Yale Law School Film Society weekend with 'Frank Capra' (qv) in 1972, she attended a small afternoon symposium on Saturday, February 5, at Capra's invitation. He urged her to stay for the screening that night, and assured her the audience would be delighted and overwhelmingly enthusiastic. She declined because, she said, she had to go home and feed her cats., Biography in: "The Scribner Encyclopedia of American Lives". Volume 3, 1991-1993, pages 29-31. New York: Charles Scribner's Sons, 2001., 'Gary Cooper (I)' (qv) was her favorite leading man., Even though Jean and 'James Stewart (I)' (qv) never bonded off-screen, Jimmy called Jean "the finest actress I ever worked with. No one had her humor, her timing"., She was teaching at Vassar at the same time that 'Meryl Streep' (qv) was studying there in her junior year. Upon seeing the young drama major rehearsing August Strindberg's play "Miss Julie," Arthur remarked it was "just like watching a movie star"., Turned down 'Donna Reed' (qv)'s role in _It's a Wonderful Life (1946)_ (qv) because she didn't want to work with 'James Stewart (I)' (qv) again.
Pictorials: "Le Nouveau Cinémonde" (France), 15 November 1966, Iss. 1667, pg. 23, by: Kira Appel, "Hollywood Boulevard"
Death Notes: Carmel, California, USA (heart failure)
Books: Arthur Pierce, Douglas Swarthout. _Jean Arthur: A Bio-Bibliography._ New York: Greenwood Press, 1990. ISBN 0313266999, John Oller. _Jean Arthur: The Actress Nobody Knew._ New York: Limelight Editions, 1997. ISBN 0879100907
This marvelous eyeshade comedienne's highest square off be simply muffled during her seven years' be sparing beside encircled by voiceless films. That asset? It was, of narrow boulevard, her grating, frog-like voice, which silent-era festival audience enjoy simply no opening of perceiving, considerably slighter numeral appreciate. Jean Arthur, born Gladys Georgianna Greene in upstate New York, 20 miles south of the Canadian constrain, have had her year of birth cite variously via technique of 1900, 1905 and 1908. Her preset of birth has habitually be cited as New York City! (Herein we shall rely in favour of those details against Miss Arthur's obituary as given in the absolute and trustworthy New York Times. The date and place indicate above shall be deem accurate.) Following her screen debut in a tablet factor in 'John Ford (I)' (qv)'s _Cameo Kirby (1923)_ (qv), she spent several years playing characterless role as ingénue or governing female in wit shorts and cheapie westerns. With the debut of grumble she was competent to be gone estimation in films whose feature was but a little bit enhanced completed that of her bygone silents. She had to contend, for indication, with the consummately depravity like of Dr. Fu Manchu (played by approaching "Charlie Chan" 'Warner Oland' (qv)). Her commission bloom with her digest in Ford's _The Whole Town's Talking (1935)_ (qv), where on earth she play contrasting 'Edward G. Robinson (I)' (qv), the latter in a double role as a grubby gangster and his lookalike, a befuddled, well-meaning clerk. Here be where her wholesomeness and flair for farcical comedy make the first move past its sell-by date making themselves uncultured. The turn vertebral column in her career come when she was set by 'Frank Capra' (qv) to personage with 'Gary Cooper (I)' (qv) in the classic public comedy _Mr. Deeds Goes to Town (1936)_ (qv). Here she rescue the hero - so herself becoming heroine! - from rapacious human vultures who be wily to distinct him from his luxury. In Capra's carry out of genius _Mr. Smith Goes to Washington (1939)_ (qv), she again rescues a snowed below hero ('James Stewart (I)' (qv)), protecting him from a agency of manipulative and feeble politicians and their crony and again she ends uphill as a heroine of sort. For her ceremony in 'George Stevens (I)' (qv)' _The More the Merrier (1943)_ (qv), in which she starred with 'Joel McCrea' (qv) and 'Charles Coburn (I)' (qv), she received a Best Actress Academy Award nomination, but the reputation go to 'Jennifer Jones (I)' (qv) in _The Song of Bernadette (1943)_ (qv) (Coburn, a propos, win for Best Supporting Actor). Her career began vanishing toward the drape up of the 1940s. She starred with 'Marlene Dietrich' (qv) and 'John Lund (I)' (qv) in 'Billy Wilder' (qv)'s fluff circa post-World War II Berlin, _A Foreign Affair (1948)_ (qv). Thereafter, the actress would heave back to the screen but once, again for 'George Stevens (I)' (qv) but not in comedy. She starred with 'Alan Ladd (I)' (qv) and 'Van Heflin' (qv) in Stevens' western _Shane (1953)_ (qv), playing the wife of a besieged immigrant (Heflin) who accept assist from a nomadic gunman (Ladd) in the settler's ecological exertion to amass his tend. It was her silver-screen swansong. She would allot a new opportunity for a mass viewers to comprehend her craft. In 1966 she starred as a witty and cultivated advocate, Patricia Marshall, a widow, in the TV chain _"The Jean Arthur Show" (1966)_ (qv). Her juncture was presumably past, even hence; the show break for only 11 weeks.
Height: 5' 3"
Quotes: It's a strenuous job every day of your life to live up to the way you look on the screen., I guess I became an actress because I didn't want to be myself., I am not an adult, that's my explanation of myself. Except when I am working on a set, I have all the inhibitions and shyness of the bashful, backward child . . . unless I have something very much in common with a person, I am lost. I am swallowed up in my own silence., The fact that I did not marry 'George Bernard Shaw' (qv) is the only real disappointment I've had., [on Hollywood] I hated the place - not the work, but the lack of privacy, those terrible prying fan magazine writers and all the surrounding exploitation., If people don't like your work, all the still pictures in the world can't help you and nothing written about you, even oceans of it, will make you popular., (on doing interviews) Quite frankly, I'd rather have my throat slit., I bumped into every kind of disappointment, and was frustrated at every turn. Roles promised me were given to other players, pictures that offered me a chance were shelved, no one was particularly interested in me, and I had not developed a strength of personality to make anyone believe I had special talents. I wanted so desperately to succeed that I drove myself relentlessly, taking no time off for pleasures, or for friendships - yet aiming at the stars, I was still floundering., First I played ingénues and western heroines; then I played western heroines and ingénues. That diet of roles became as monotonous as a diet of spinach. The studio wouldn't trust me with any other kind of role, because I had no experience in any other kind. And I didn't see how I was ever going to acquire any other experience if I couldn't get any other kind of role. It was a vicious circle., It's hardly fair for women to do the same things at the same hours every day of their lives, while men have new experiences, meet new people every day. I felt that way as a little girl, with two older brothers around the house. It seemed to me that they led adventurous lives, compared with mine. I felt cheated and frustrated. I became a tomboy in self-defense. I decided that I was going to do things that were exciting, or at least interesting., [speaking in in the 1930s] I've never had a single close intimate girlfriend in all my life. I never had a chum to whom I could confide my secrets. I suppose that accounts for the fact that now it is so painfully difficult for me to open my heart and confide in people who are, so often, almost strangers. You have to learn so very young to open your heart., [on her early acting days] My very "naturalness" was my undoing. I had to learn that to appear natural on the screen requires a vast amount of training, that is the test of an actor's art. It would be more spectacular if I could say that out of the hurt and humiliation of that failure was born a determination to success, to prove I had the makings of an actress. But it wouldn't be true. That urge came later., [on her first marriage, which only lasted a day] Julian [Julian Anckner] looked a lot like 'Abraham Lincoln (I)' (qv), and that's probably why I fell in love with him. One day we were out driving and he suddenly said, "Hey, why don't we get married?" So we lied about our ages and got married in a sheriff's office. You should have heard our families' reactions - all sorts of screaming and shouting and carrying on about suicide. Well, neither Julian nor I had enough income to make it possible for us to live together, so our marriage lasted one day., [on making _Only Angels Have Wings (1939)_ (qv)] I loved sinking my head into 'Cary Grant' (qv)'s chest., [1977 comment on 'Gary Cooper (I)' (qv)] I loved working with Gary Cooper. Gary was my favorite. He was so terrific-looking, and so easy to work with., [on director 'George Stevens (I)' (qv)] George Stevens started out as a cameraman with Laurel and Hardy, and he learned so many wonderful tricks, like having us walk forward while looking backward and then bumping into something. George was a darling man, so great with comedy. It's too bad he got serious.
Birth Notes: Plattsburgh, New York, USA
Salary History: _The Talk of the Town (1942)_ (qv)::$50,000
Mae Busch (actress)
Mildred Harris (actress)
Duane Thompson (actress)
Douglas Bronston (writer)
Esther Shulkin (writer)
Joseph A. Du Bray (cinematographer)
Stephen S. Norton (cinematographer)
John G. Adolfi (director)
Harold Young (editor)
M.H. Hoffman (miscellaneous crew)
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