It's recommended to look Hayate Poshti Madreseye Adl-e-Afagh movie (The School We Went to).
Movie Is being made - in 1980.
Gross: IRR 18,900,000 (Iran) (1990)
Countries: Iran
Languages: Persian
In movie played:
Ezzatolah Entezami (actor)
Birth Notes: Tehran, Iran
Birth Date: 1924
Ali Nassirian (actor)
Amrollah Saberi (actor)
Ghassem Seif (actor)
Fereydoon Doostdar (writer)
Dariush Mehrjui (writer)
Birth Notes: Tehran, Iran
As an Iranian New Wave put on scenery deity, Mehrjui be regard to be one of the learner director of Iranian cinema.Dariush Mehrjui be born inside Tehran, Iran, in 1939. As an full-size, he moved to the United States and enter the University of California, Los Angeles' (UCLA) Department of Cinema. He switch his crucial to dogma and graduate from UCLA in 1964. Returning to Iran in 1965, he almost directly embark by a filmmaking profession. He made his debut in 1966 next to Diamond 33. His second feature show, Cow (1969), bring him national and cultured award. Cow, a compelling emblematical the chapter, is in the part of a natural villager and his nearly legendary commitment to his cow. The sketch of the film was from prominent Iranian literary digit Gholamhossein Sa'edi. In 1971, the film was smuggled out of Iran and submit to the Venice Film Festival, where on earth, lacking programming or subtitles, it become the largest barb in event of that year's pageant. The film was a junction point in the ancient times of Iranian cinema. The city received it with excellent exhilaration, apart from the certainty that it individual unseen all the quaint elements of coffer bureau appeal. In 1973 Mehrjui initiate direct what was to be his furthermost acclaimed film. The Cycle was co-sponsored via the Ministry of Culture but encounter antagonism from the Iranian medical the arrangement and was disallowed from slacken off until 1977. It was universally admired in a foreign bucolic area. The film win the Fédération Internationale de la Presse Cinématographique Prize at the Berlin Film Festival in 1978. In 1981, he traveled to Paris and remain here in strut of several years, during which time he made a feature-length semi-documentary for French TV, Voyage au Pays de Rimbaud (1983). Feeling evocative, he return to Iran to film The Tenants (1986), a funniness of make every effort linking apartment tenant and a realtor seeking to flip them out. In Hamoun (1989), a picture of an intellectual whose go is falling apart, Mehrjui sought to expose his generation's post-revolutionary coil from politics to mysticism. The '90s also found Mehrjui release films dealing with women's issues. Banoo (1991 released in 1998) more or minor amount brought Luis Buñuel's Viridiana to Iran. Sara (1993) achieve equal for Ibsen's A Doll's House. Pari (1995), a transplant of Salinger's Franny and Zooey, attracted the see - and the hazard of a lawsuit - from the reclusive novelist. Leila (1996) was all Mehrjui's individual and the hole to receive any sort of yawning staged release in the West. The story of a bridal undo by barrenness and a interfering mother-in-law, it earn Mehrjui rave. Outside of festival and a career-spanning nostalgic by the Film Society of Lincoln Center in postponed 1998, his films delay leaving largely unseen out-of-doors Iran, an blunder that will on tenterhooks be correct with the ratification of time.
Graduated in philosophy and film-making from UCLA in 1964., Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 663-669. New York: The H.W. Wilson Company, 1988.
Birth Date: 8 December 1939
Mehrdad Fakhimi (cinematographer)
Death Notes: Tehran, Iran (pulmonary disease)
Birth Notes: Iran
Death Date: 12 August 2008
Birth Date: 1939
Farrokh Majidi (cinematographer)
Dariush Mehrjui (director)
Birth Notes: Tehran, Iran
As an Iranian New Wave display figurine, Mehrjui be regard to be one of the analytical director of Iranian cinema.Dariush Mehrjui be born inwardly Tehran, Iran, in 1939. As an exchange, he moved to the United States and enter the University of California, Los Angeles' (UCLA) Department of Cinema. He switch his central to attitude and graduate from UCLA in 1964. Returning to Iran in 1965, he almost instantly embark by the loin of a filmmaking profession. He made his debut in 1966 beside Diamond 33. His second feature visualize, Cow (1969), bring him national and multinational confession. Cow, a compelling exemplary the the stage, is in the decree of a open villager and his nearly legendary commitment to his cow. The description of the film was from illustrious Iranian literary digit Gholamhossein Sa'edi. In 1971, the film was smuggled out of Iran and submit to the Venice Film Festival, where on earth, short programming or subtitles, it become the largest episode of that year's dancing in the street. The film was a ramp tine in the precedent of Iranian cinema. The municipal received it with grave energy, despite the certainty that it individual unobserved all the orthodox elements of game casket department heave. In 1973 Mehrjui unfurl direct what was to be his maximum acclaimed film. The Cycle was co-sponsored with the Ministry of Culture but encounter object from the Iranian medical the arrangement and was disqualified from discharge until 1977. It was universally admired out of the green. The film win the Fédération Internationale de la Presse Cinématographique Prize at the Berlin Film Festival in 1978. In 1981, he traveled to Paris and remain here all for several years, during which event he made a feature-length semi-documentary for French TV, Voyage au Pays de Rimbaud (1983). Feeling melancholy, he return to Iran to film The Tenants (1986), a the amusing side of hostilities as regard apartment tenant and a realtor seeking to lob them out. In Hamoun (1989), a picture of an intellectual whose unprocessed life is falling apart, Mehrjui sought to mean his generation's post-revolutionary go round from politics to mysticism. The '90s also found Mehrjui release films dealing with women's issues. Banoo (1991 released in 1998) more or lesser digit brought Luis Buñuel's Viridiana to Iran. Sara (1993) abandon into convention impossible to tell apart for Ibsen's A Doll's House. Pari (1995), a transplant of Salinger's Franny and Zooey, attracted the public zing - and the hazard of a lawsuit - from the reclusive essayist. Leila (1996) was all Mehrjui's personal and the most primeval to receive any sort of wide open thespian release in the West. The story of a nuptials undo by unfruitfulness and a prying mother-in-law, it earn Mehrjui rave. Outside of festival and a career-spanning nostalgic by the Film Society of Lincoln Center in overdue 1998, his films loiter largely unseen facade Iran, an drift that will on tenterhooks be correct with the endorsement of time.
Graduated in philosophy and film-making from UCLA in 1964., Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 663-669. New York: The H.W. Wilson Company, 1988.
Birth Date: 8 December 1939
Manuchehr Oliai (editor)
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